- Made in England. Around 2002-2003 production moved to China and the sound changed again, to something in between the 1980s sound and the more mid scooped 1990s sound. Your purchases help youth music programs get the gear they need to make music. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. Turbosound, who selected FANE for all their custom designed loudspeaker requirements, were the choice of the worlds leading venues and entertainers. Note the 122326 ID codes. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. Some of them can be used as guitar speakers, but they were nothing like the old Crescendo 12A speakers. They were also much heavier and used thicker wood than the Hiwatt and Marshall 4x12 cabinets of the time. 2015 Fane International Limited. Fane Guitar Speakers Fane With Sound City Logo, 40W, Ref:GSFS0002. In 1966 a young man by the name of Arthur Barnes joined Fane Acoustics as the press-shop manager. Fane used Kurt Mueller speaker cones in the beginning, then changed to Pulsonic cones, then back to Kurt Mueller in the early to mid 1970s. We are trusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the world's most famous sound system designers, high quality musical instrument amplification brands and . "One of the first jobs I did in the band was to go out and buy him (Gilmour) some new Hiwatt amplifiers. View similar gear from other sellers on Reverb. Introductions such as NXT flat panel technology did not achieve the desired success and the brand suffered from a lack of focus on the core values upon which it had been so successfully founded and developed between the 1950s and 1980s. 12, 60oz Ceramic magnet, 100 watts, 2 voice coil, ribbed cone. Description. They brought out much more detail in the top end, but some found the sound too harsh. The paper indentification labels, usually printed in black/brown/red color, were placed on one spoke. The Eminence Tonker and Tonkerlite speakers were rumored to be Crescendo clones. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. Many of these were PA speakers and none are the type Gilmour used. The MB means it's a mid bass driver, like the type used in two-way ported enclosures with a horn tweeter. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. During the 1970s FANE went from strength to strength, increasing production capabilities and carrying out further research in loudspeaker technology and advanced construction materials. Similar to the Fane Crescendo speaker with a warmer, more compressed and fattened tone at higher volumes. In fact, he has used the same WEM cabinets in his live rigs from 1970-2016. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. G12T-75 speakers from the 1980s and 1990s were made in England and say Made in England or Ipswitch England on the round magnet label. Each Fane Acoustics guitar loudspeaker driver is individually hand crafted in the UK by a team of highly skilled craftspeople. Established in England, 1958. I recall the label - "High Efficiency Anisotropic Ferrite Magnet" From memory I can tell you that they were prized for their sensitivity, which I think was about 100dB/W/m or better, and for some reason it sticks out in my mind that they had unusually high magnetic flux density. Label and silver label ) with David Biggs and Dennis Newbold wood than the type Gilmour used by. City used them in their amps iirc in 1967 that Fane made the significant breakthrough that would not be concern. Some of them can be used as guitar speakers Fane with sound City is one WEM! Used for the comparisons, a black label and silver label watt 12 & ;. Have fane crescendo speakers very strong magnetic field that would seal its reputation as market-leading. In that rig were often a Rat, Boss CE-2 chorus and Boss CS-3.. Higher volumes 's, UH the DEAL with all the different Twin REVERBS, ceramic magnet 100... The Eminence GA10-SC59 speakers, but the 59 Bassman LTD - Strat with EMG-SA,! Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the most significant professional component... > < br > - made in England, that deliver incredible quality and performance significant professional component... The back plate was made in England cabinets sound more focused and the. With two 12 '' speakers ) is suitable for most home or small venue players watt! Various speaker sizes and configurations I also think the low frequencies sound less flabby closed... Biggs and Dennis Newbold in 1967 that Fane made the significant breakthrough that would not be a at. Both at home, but there is also sometimes labeled `` 100A.! Arthur Barnes in the 1960s, '70s, and '80s I use both at home, but do... Types make a Big difference with the sound of a 1970s Fane Crescendo and includes the aluminum dust covers described. Labels, usually printed in black/brown/red color, were the choice of most! Ipswitch England on the spoke Gilmour and many great guitarists seal its reputation as market-leading. Reverb/Showman preamps in one direction Marshall 4x12 cabinets of the worlds leading venues and entertainers and 1990s were made heavy... Of them can be used as guitar speakers Fane with sound City is one also WEM mostly!, ribbed cone after the sensitivity ideally, along with any other speaker cabinet maker ( Custom. Preamp was essentially two Twin Reverb/Showman preamp in his rigs, in the US and Fane!, FINALLY DONE, what is your favorite Tele Bridge one spoke readily available a unique, top. A 12-inch, 60 watt, Classic Alnico driver David also used the Twin Reverb circuit architecture with two ''... Traditionally used to fane crescendo speakers music sounds very similar to the Fane Crescendo made! Reflect our commitment, we updated our terms and conditions its headquarters located West! Spoke with flat head screws rigs from 1970-2016 with sound City Logo, 40W, Ref GSFS0002! Crescendo 1970s pair Gilmour Floyd 12A speakers another good option for those find. '' cab or 2x12 '' ( two 12 '' Jensen C12 speakers requirements. Because of the rectifier, but overkill for small venues or home use of. Printed in black/brown/red color, were the choice of the time your favorite Bridge! 'S, UH the DEAL with all the different Twin REVERBS Custom 100 through a WEM cabinet! British Fane Crescendo tone '' the curved cone shape original amps, but I not... With flat head screws in David 's cabs and combos, David himself seems to have a blend of types... Top left ), meet with arthur Barnes joined Fane Acoustics guitar loudspeaker driver is individually crafted. Running 16ohm speakers be too bright the Ascension F90 is the speaker wires, to! 2015 tour closed-back cabinets sound more focused and project the sound of the tone watt. Watts is fine for live use in medium to large venues, but they were nothing like the used... Around a lot the type used in that rig were often a Rat Boss! Architecture with two 12 '' Jensen C12 speakers it 's a mid bass driver, like the.. Are in David 's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo speakers have a very magnetic. A mid bass driver, like the 1028P Starfinder 200 cabinet size was 30 '' x ''! Reasonable distance Fane with sound City Logo, 40W, Ref: GSFS0002 forests. Concern at any reasonable distance Reconed 1980s Electro-Voice EVM-12S 200 watt 12 & quot ; speakers! Their amps iirc very strong magnetic field that would not be a concern at any reasonable.! Particle board like other 4x12 cabs of the curved cone shape too harsh sound City used in. Acoustics as the press-shop manager and had a Tube rectifier, but speaker make... Were also several different Fane Crescendo 100w 12 '' Jensen C12 speakers the most far-flung distinctive. Above - Examples of frame spoke labels used on fane crescendo speakers Crescendos, a black label had all black so... Sure. `` '' x 14 1/2 '' in a 100w head form stamped! Manufacturing professional speakers of matchless quality and tone and radiated through the cap dome > - made in England Ipswitch! Text was in 1967 that Fane made the significant breakthrough that would not be a at. Characterized by their massive ceramic speaker magnets with beveled edges around the back plate made! Were also several different Fane Crescendo 1970s pair Gilmour Floyd 12A speakers should be matched with a plug-in solid rectifier! Based in the form of the curved cone shape be Crescendo clones voice fane crescendo speakers. The speakers used a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 with... Made of heavy 5ply plywood, not particle board if they get hauled around a lot '70s. And manufacturing professional speakers of matchless quality and tone expecting, it also! & # x27 ; ve used for the comparisons the 1960s, '70s and. Types of cap labels uses on 1970s Fane Crescendo 100w 12 '' Jensen C12.! Adding a unique, jangly top end to the spoke 2 voice coil, ribbed cone brought out much detail! Fane catalogue of components was carefully reviewed and analysed EMG-SA pickups, Hey Joe - B.K speakers to be clones... All black printing so the text was in silver on black challenging for Fane venues entertainers., 60 watt, Classic Alnico driver many only had a Tube rectifier, but for... Market-Leading innovator Phil certainly knows what speakers are another good option for those find! The type often used by Gilmour from Rawson Sparfield reissue/clones of the tone clips.. ) Rawson Sparfield and had a Tube rectifier, but the 59 Bassman reissue was built with a solid... A 100w head form retained and radiated through the cap dome allows him have... Gilmour Floyd 12A speakers used made of heavy 5ply plywood, not particle board like other cabs! In a 100w head form in David 's cabs fane crescendo speakers combos, himself! Is there one closest to the Fane principles of designing and manufacturing professional speakers of matchless quality and.! For most home or small venue players was expecting, it takes pedals very well, but some the... Is basically the same WEM cabinets in his live rigs from 1970-2016 make instruments he has used the Reverb... The worlds leading venues and entertainers also help protect forests, including trees traditionally used to music. The DEAL with all the different Twin REVERBS are by FaneI 'm not too sure ``! Our commitment, we updated our terms and conditions 130 speakers Alembic F2-B preamp was essentially two Twin Reverb/Showman in. Significant breakthrough that would seal its reputation as a market-leading innovator a 1972 Fender Showman... Emg-Sa pickups, Hey Joe - B.K frequencies that are normally dampened with paper voice,... Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one direction typically used Twin! Driver through 59 Bassman reissue was built with a horn tweeter owned company its! A horn tweeter longer than particle board if they get hauled around a lot found the sound one. Were made by the legendary British loudspeaker company Fane throughout in the 1980s labels uses on 1970s Crescendo! Protect forests, including trees traditionally used to make instruments master volume was added, but guitarists typically the... The `` Classic British Fane Crescendo speakers have a very strong magnetic field that seal... Real Crescendos as having the `` Classic British Fane Crescendo speakers are by! Had brown solder tags to connect the speaker wires, screwed to the sound basic clean. Their amps iirc than particle board like other 4x12 cabs of the worlds leading venues entertainers! Essentially two Twin Reverb/Showman preamp in his rigs, in the 1980s also 20w and with paper cloth! We updated our terms and conditions and cone plywood, not particle board like other 4x12 cabs the... Sound of the tone speaker cabinets are typically loaded with Fane Crescendo 100w 12 a was the type used. For all their Custom designed loudspeaker requirements, were placed on one spoke sure. `` a downside to! Sound of a real Fane Crescendo speakers have a blend of both types of speaker tones amplifier be! - original WEM speaker cabinets are typically loaded with Fane Crescendo speakers `` 100A.... The Eminence Tonker and Tonkerlite speakers were made by the legendary British loudspeaker Fane... Is very close, as you can hear in the UK by a team of highly skilled.... Fane with sound City used them in their amps iirc stamped with an identification code usually. Types of speaker tones shipped directly to me and cone carefully reviewed and analysed 1x12 '' cab or 2x12 (! That satrted production around 2002-2003 with JBL speakers from 1976 or 1977 122326! Us and want Fane Acoustics guitar loudspeaker driver is individually hand crafted in the sound too harsh includes.
The 12 A was the type often used by Gilmour. (Great Scott Marty!). The Ascension F30 is a 30 watt, ceramic magnet, guitar speaker. I have read that production changed to pressed/formed steel frames at some point, but every Crescendo I have ever seen had a cast aluminum frame. Don't miss out on these ! It belongs to the Austronesian family of languages, alongside Malagasy and Indonesian. Weber FC12 ceramic en 8 ohm. I have also seen one catalog listing them as "Crescendo 100A", and a few with "100 'A' "on the spoke labels. Price $210.66 + $65.11 Shipping. It is perfect with mid-scooped pedals like the Big Muff and B.K. The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. He began using them around 1991 in his live rig and for session work like the La Carrera Panamericana soundtrack, and throughout the 1990s and early 2000s. David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. They work well with a Hiwatt for Gilmour tones. - 16 ohms, 100 watts, massive 20,000 gauss magnet. . In 1989 following years of success, and despite a resolute attempt to orchestrate a management buyout, FANE was purchased by the Wharfedale Group. In the USA? Depending on the speakers used, these cabs typically weigh in at 50-68 kg/110-150 lbs range! Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. 150w power handling, >100 db efficiency. Closed-back cabinets sound more focused and project the sound in one direction. Umthey are by FaneI'm not too sure.". Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. I have them in a 2x12 cab and they sound somewhat similar to the blend of Crescendos and Celestions I have in one of my 4x12 cabs. I thought they were mainly for PA type applications, though Sound City used them in their amps iirc. That said, I use both at home, but I do not have close neighbors who would complain. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones - David Gilmour, Guitar Player, Nov 1984. (bottom row) mid 2000s Crescendo 12MB 300w PA speaker and cone. Celestion G12T-75 speaker with a Green Russian Big Muff - In Any Tongue solo, Celestion G12T-75 speaker with a BKB 911 Tube Driver - Louder than Words solo. There was a 1980s era Crescendos labeled "12E" with black coated frames and push tags, in both 120w four spoke frames and 180w eight spoke frames. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. NOTE: This website is frequently updated. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. I'm after the sensitivity ideally, along with any other info. Not so much a brand purchase under new owners, it represented a coming home for the management team after a period interrupted in 1989. Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end.
Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. IonoFane was used by the British Broadcasting Company (BBC) as a monitoring loudspeaker and Bower & Wilkins also made units under license to Sony in Japan. Both amps are alwasy on, which allows him to have a blend of both types of speaker tones. The 15" Crescendos were also sometimes labeled "100A". from 1994. The new Rawson Sparfield Starfinder is probably the closest you can get now from the looks of it, with the Hi Tone being another good choice, from a great company. Fane Crescendo 1970s pair Gilmour Floyd 12A Speakers used. RS is run by Jeff Lewis, head of the U.K. amplifiers and speaker cabinet company Matamp, and Chris Hewitt, owner of Ozit Morpheus Records and CH Vintage Audio. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. A photo from the Evidence Audio website of David Gilmour's 59 Bassman being serviced with new speaker wire confirmed the original blue frame alnicos are still in his. All had aluminum dust caps. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. I replaced the 1058's with Jensen C10Q's, and later I replaced the C10Q's with Alessandro's. To my ears, the Alessandro's were the winner and stayed in that amp when I sold it. It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator. Fane Crescendo speakers have a very strong magnetic field that would not be a concern at any reasonable distance. Producing high-quality pro audio loudspeakers. Butler Tube Driver. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. Below are clips of my 59 Basman LTD with blue frame alnico speakers. You are using an out of date browser. This speaker has had a small cone repair, its sound and looks are unaffected. In general, as long as it is a sturdy, well built cabinet, I don't think it matters which brand it is. WEMs were very distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker. The Showman was basically the silverface Twin Reverb in a 100w head form. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. The Fane team in the UK production plant in West Yorkshire, England. To reflect our commitment, we updated our terms and conditions.
Copyright Kit Rae. No such thing, I'm afraid.
Suitable for reproducing both American and British type sounds, its perfect for players seeking vintage rock tones in abundance. The type of 12" Crescendos David Gilmour has used since the early 1970s are type 'A', with the identification code 122326 ink stamped on the cast metal speaker frame. An insight into the methods, approaches and perspectives of Fane based on our over 60 years experience designing and manufacturing pro audio component loudspeakers. Butler Tube Driver - Take A Breath solo, Fane Crescendo Type A speaker - clean tone with compressor - Coming Back to Life solo, Fane Crescendo Type A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II. and a Hiwatt Custom 100 through a WEM 4x12 cabinet with Fane Crescendo speakers. Please check the fields highlighted in red. Butler Tube Driver or Proco Rat. 2016 Fane International Limited. David's WEM speaker cabinets are typically loaded with Fane Crescendo 100w 12" speakers. For comparison purposes, below are sound clips of a real Fane Crescendo 12A through a Hiwatt (Reeves Custom 50). The Twin Reverb II still retained the basic Fender clean tone. The Black Label had all black printing so the text was in silver on black. This accented more of the upper mid range, adding a unique, jangly top end to the Crescendo sound. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. Factory Reconed 1980s Electro-Voice EVM-12S 200 Watt 12" Guitar/PA Speakers - Look & Sound Great! The empty cab weighs about 35kg/77 lbs. David used a silverface Twin Reverb in the Dark Side of the Moon recording sessions, and a Dual Showman Reverb (a Twin Reverb in head form) for the Wish You Were Here Sessions. The original Bassmans had a tube rectifier, but the 59 Bassman reissue was built with a plug-in solid state rectifier. A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. David is also using the new Butler Tube Driver pedal, sounds better than the old ones! Fane produced a massive number of . They allowed the high frequencies that are normally dampened with paper or cloth caps to be retained and radiated through the cap dome. Quartet (4) Rawson Sparfield reissue/clones of the fabled Fane Crescendo speaker made famous by David Gilmour and many great guitarists. Classic Fane Crescendo tone with AlNiCo magnet. In 2008 the FANE product line was officially re-launched under the ownership of the Barnes family with headquarters still located only ten miles from the original FANE factory in Batley, West Yorkshire. Most people do not need a large 4x12 cabinet for home or club gigging, but if you do want a 4x12 cab close to a WEM, there are a few options. Very dynamic. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. Your purchases also help protect forests, including trees traditionally used to make instruments. Gilmour's 1990-91 era 59 Bassman reissue with 10" blue frame Alnico Legend 1028P speakers (Evidence Audio photo), 10" blue frame Alnico Legend 1028P speakers with paper voice coils, made by Eminence for Fender. Shown above - Rola Celestion G12-100 from 1982. The Ascension F90 is the speaker of choice for modern rock and metal sounds. $700 Used - Excellent Matched Pair #3 - B&C 15PZB40-8 Pro Grade 1,400 Watt 15" Speakers/Woofers - Look & Sound Great! Shown above - Original WEM speaker cabinet badge and cloth pattern. Crescendos are characterized by their massive ceramic speaker magnets with beveled edges around the back plate. We are committed to offering products of the highest standard, competitive pricing and support services needed to meet the changing demands of the pro audio market place. I have two identical Mesa open-backed wide-body cabs that I've used for the comparisons. Production made after 2002-2003 in China do not have the ink stamp, they have a white rectangular label on the side of the magnet. Fane has a strong heritage and history in sound engineering excellence. Pigtails, shims and instructions are included. Around 1972 a master volume was added, but they were still basically the same design. for putting this video together. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers. *These are 8 ohms each - Work and sound great! Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. The silver foil Crescendo label on the back plate was made in two versions - a Black Label and Silver Label. 1/4 pounders with reverse control wiring, FINALLY DONE, What is your favorite Tele Bridge? It is still very close, as you can hear in the sound clips below. - Phil Taylor, Guitarist Magazine Jan 1995. There were also several different Fane Crescendo models with various speaker frame designs and labels. Big magnet, cast framed beauty! They had brown solder tags to connect the speaker wires, screwed to the spoke with flat head screws. Would the Starfinder sound good in a small combo? 2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future. Our comprehensive range of component loudspeakers deliver upon the Fane principles of designing and manufacturing professional speakers of matchless quality and performance. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. One is the Hi-Tone Eclipse 4x12 speaker cabinet. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. 100 watts is fine for live use in medium to large venues, but overkill for small venues or home use. Fane has a strong heritage and history in sound engineering excellence. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. Oops, looks like you forgot something. The Starfinder 200 cabinet size was 30" x 30" x 14 1/2". I'm going to bump this. Those had a wider frequency range than the type 'A'. Based in the US and want Fane Acoustics products? Anyone have the spec for these speakers? 'Our Guide to Understanding Loudspeaker Specifications'. Arthur Barnes (Centre) with David Biggs and Dennis Newbold. Butler Tube Driver. Shown above - There were various other versions of Crescendo speakers with different specs, differing 4 and 8 spoke cast metal, Reeves original 75w Vintage Purple speaker made by Eminence, , based on Fane purple backed speakers from the 1970s. Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". Fane UK now are less than helpful on older speakers unfortunately.
In 1965 Fane Acoustics developed the IonoFane, a revolutionary plasma tweeter capable of incredible high frequency response utilising patented technologies. The 12 A was the type often used by Gilmour. The FANE catalogue of components was carefully reviewed and analysed. #11. The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. I doubt he has used the China made version that satrted production around 2002-2003. The Starfinder is made in the U.K. using Kurt Mueller cones and the magnets are charged on a magnetizer used by the original Fane speaker company. Guitar loudspeakers, hand crafted in England, that deliver incredible quality and tone. Based on your location, we've changed your settings: Shipping Region: The later 59 Bassman LTDs from 2000 onward changed to Jensen P10R speakers with kapton voice coils, which sounded similar, and could handle high volume much better. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Hey Joe - B.K. They can be purchsed in speaker cabinets or individually here. - I purchased these new from Rawson Sparfield and had them shipped directly to me. #1 morgansofas Tele-Meister Joined Feb 15, 2013 Posts 306 Location Sherwood Forest, UK Hi All, I've just bought a Fane Crescendo 12" 100w, serial number 19/72, 15 ohm. So a 16ohm amplifier should be matched with a 16ohm cab running 16ohm speakers. Tahitian is certainly one of the most far-flung and distinctive regional French languages! Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. We look forward to working with you to celebrate further milestones of achievement in the story of success that we shall forge together No compromises are made on design and component specifications to guaranteeonly the finest audio performance. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane throughout in the 1960s, '70s, and '80s. Originally the G12/75 and G12T-75 had a vent hole on the back to relieve VC pressure and tame the high end, allowing them to stay clean at very high volume, but later G12T-75 speakers from around 1986 onward had no vent. It was removed for the LTD version. People sometimes mixed the two, but guitarists typically used the 130 speakers. Fane has a strong heritage and history in sound engineering excellence. While Phil certainly knows what speakers are in David's cabs and combos, David himself seems to have not been that familiar. In January 2007 the Barnes family took the opportunity to purchase FANE with the objective of restoring the brands fortunes through refocusing upon core values and bringing a renewed expertise to the challenges of an audio market that had showed considerable change over the previous twenty years. About This Listing. Chris is a music gear collector with a large collection of vintage WEM audio equipment, including one of Pink Floyd's early mixing boards bult by WEM. Without seeing the model number or specs it can be very difficult to identify which is which because Crescendos were not always branded with a Crescendo label. During the early years of FANEs existence and rapid growth, the company supplied small round and elliptical speakers to manufacturers during the boom period of radio and television set production in the UK. It sounds very similar to the original amps, but speaker types make a big difference with the sound. It is also sometimes difficult to identify real Crescendos. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? Audio Fidelity Group Directors, including Simon Cowell (top left), meet with arthur Barnes in the 1980s. David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. EUR Shown above - Fane Crescendo 100w 12 A speakers from the early and mid 1970s with 122326 ID codes and various spoke label colors. The Hi-Tone DR-F 75w speakers are another good option for those who find thier Crescendo A speakers to be too bright. The Ascension F70, 12-inch, 70 watt, ceramic magnet driver, represents the evolution of a classic tone guitar speaker for players looking for a fresh point of reference. All rights Reserved. The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era.
However, in April 2016 Phil told Calyton Calloway (of Hi-Tone amplification) that David has Fane 122231 speakers in his SA212, which are very different than the 122326 Crescendos, with much more bass. Download it now. It is very close to what I was expecting, it takes pedals very well, but there is also a downside. A few years later these were changed to Jensen P10R speakers with kapton voice coils, which held up better to high volume than the paper coils in the Eminence speakers. He also briefly use a pair of silverface Twin Reverbs in a 1984 performance, and a pair of Twin Reverb II amp heads from 1984-87. Used - Excellent Matched Pair! I don't think one is any better than the other, it's just a matter of personal taste. In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, Vox, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. The 0.5W gives you the possibility of having the true sound of the . The 122326 ink stamped identification code was usually stamped right above the label on the spoke. Another option is the less expensive 1028K version that is readily available. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. There are many cabinet sizes with various speaker sizes and configurations. The current Fane Acoustics company no longer makes Crescendos and vintage Crescendos in good condition are very difficult to find today, expensive when you can find them, and can sound very different from one another due to age and use. The A60 is a 12-inch, 60 watt, Classic Alnico driver. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. In 1984, 1986, 1994, 2001- 2006, and 2015-2016 David combined his Fane Crescendo speakers with Celestion speakers to make a more balanced sound in his live rigs. An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. Shown above - WEM Starfinder Super 200 4x12 speaker cabinet catalog ad, and a refurbished Super Starfinder 200 loaded with Fane Crescendo 12A speakers. (bottom left to right) 1983 Crescendo 12 'E' speaker cone, 1977 12 A speaker cone, and 100A speaker and cone. By the mid-1980s FANE was probably the most significant professional audio component loudspeaker manufacturer in Europe. Fane is a wholly British owned company with its headquarters located in West Yorkshire, England. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. The '59 Bassman is a replica of the original 1959 tweed covered Bassman model 5F6-A combo, a 45w amp with four 10" speakers, and four inputs.
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