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From 1959 through 1963, various lineups resurfaced periodically. WebThe Cardinals The Casinos Jimmy Castor Gene Chandler The Channels The Chantels The Charms The Charts The Checkers The Chevrons The Chiffons The Chimes The Chips The Chordettes The Chords (US band) The Classics The Cleftones The Clovers The Collegians The Contours The Corsairs The Counts Don Covay and the Goodtimers The Crests The They recorded for various small independent rhythm and blues record labels based in Philadelphia in the 1950s or, in some cases, for larger New Yorkbased labels. By the early 1970s, Al Banks had joined the Drifters. Local businessman and singer/songwriter John Madara discovered Danny and the Juniors, four high school friends who had been singing together on street corners and at school dances since 1955. WebThe Doo-Wop Groups The Belmonts (l to r) Angelo D'Aleo, Fred Milanop, Carlo M
In the spring of 1958, the Hearts released their third and final hit, Try the Impossible, which peaked at number thirty-three on the pop chart. WebIn Philadelphia, early doo wop groups included the Castelles, Capris, Silhouettes, Turbans, and Lee Andrews (real name Arthur Lee Andrew Thompson, 19362016) and the Hearts. Please refer to the appropriate style manual or other sources if you have any questions. THE COMMANDS: (Singing) It's been a long time since I've held you in my arms. The popularity of doo-wop music among young singers in urban American communities of the 1950s such as New York City, Chicago, and Baltimore, Maryland, was due in large part to the fact that the music could be performed effectively a cappella. Most of these groups were one- or two-hit wonders, enjoying some success but unable to sustain it over the long term. While every effort has been made to follow citation style rules, there may be some discrepancies. Following "It's Raining" in September 1978, Hegarty left the band to tend to his terminally ill father, and he was replaced by the American singer, Kenny Andrews. After touring for a few months, Lee Andrews and the Hearts disbanded. By early 1958, the song had sold more than a million copies and reached number one on both the R & B and pop charts.

Joining the band was Iain "Thump" Thomson, George Currie and John Dummer, all ex-members of the John Dummer's Blues Band. 13K views 3 months ago #doowop50s60s #doowop #doowopsongs.

WebThey were one of the very few doo wop outfits to successfully update their sound, finding their strongest commercial niche in the late '60s and '70s as a polished smooth soul harmony group. doo-wop, style of rhythm-and-blues and rock-and-roll vocal music popular in the 1950s and 60s. Follow Backgrounders on Twitter There also was a school of female doo-wop, best exemplified by the Chantels, the Shirelles, and Patti LaBelle and the Bluebelles. From left to right are John Young, Butch Curry, Lee Andrews, Ted Weems (who had replaced Jimmy McCalister in 1955), and Roy Calhoun. The key was the Italian-American, lead singer Johnny Maestro, who became one of rocks most-beloved vocalists, fronting not only The Crests but later The Brooklyn Bridge. Popular doo-wop groups include the Marcels, the Drifters, the Penguins, the Cadillacs, and the Orioles. The London-based band had a number of UK top 20 hits including three successive number twos with revivals of early Play-tested. A number of white singing groups adopted the doo-wop styleparticularly Italian-American ensembles who shared the same urban environment with the African Americans who originated doo-wop. WebDarts are a nine-piece British doo-wop revival band that achieved chart success in the late 1970s and early 1980s. Jackson, John A. The former were slow romantic songs, usually featuring a high tenor singing lead, backed by close harmony vocal accompaniment and a bass singer interjecting spoken words and vocalizations. Another later member was Mike Deacon (ex-Suzi Quatro band) on keyboards. Doo Wop 2 CD Lot, Various Artists. Notes - Delivery *Estimated delivery dates include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment.

While its heyday was over by the early 1960s, doo wop retained a small but devoted fan base and enjoyed several revivals. In 1958 Danny & the Juniors had a number-one hit with At the Hop and a top twenty hit with Rock and Roll Is Here to Stay. The Dovells reached number two in 1961 with The Bristol Stomp (inspired by a dance teenagers were doing in nearby Bristol, Bucks County) and had hits with a series of follow-up dance tunes in 1962.

The Best Doo-wop Groups/Artists. Once again, however, not one of their singles charted. The key was the Italian-American, lead singer Johnny Maestro, who became one of rocks most-beloved vocalists, fronting not only The Crests but later The Brooklyn Bridge. Popular doo-wop groups include the Marcels, the Drifters, the Penguins, the Cadillacs, and the Orioles. Independent record labels owned by black entrepreneurs such as Dootsie Williams and John Dolphin recorded these groups, most of which had formed in high schools. doo-wop, style of rhythm-and-blues and rock-and-roll vocal music popular in the 1950s and 60s. In the 1980s, Lee Andrews revived Lee Andrews and the Hearts with his wife and children as band members. The London-based band had a number of UK top 20 hits including three successive number twos with revivals of early WebFee Bee recorded the Doo Wop groups the Del Vikings, The El Capris, The Five Playboys, Chuck Corby and The Entrees, Frankie Joe and The Embers, and the Diadems.

Gillette, Charlie.

doo-wop, style of rhythm-and-blues and rock-and-roll vocal music popular in the 1950s and 60s. However, when Richard Lewis replaced James JenkinsJenkins had been draftedin 1956, he convinced founding members Earl Beal, Raymond Edwards, and Billy Horton that they should add some secular songs to their repertoire. Borrowing elements from these various types of music, young Black singers in Philadelphia and other cities (they were almost exclusively male; there were very few female doo wop groups) fused them into a distinctive vocal style that began to achieve popularity in the early 1950s with both white and Black audiences. A week after Danny and the Juniors appeared on American Bandstand, At the Hop entered the pop chart and by January 1958, it had reached number one. Like The Encyclopedia of Greater Philadelphia on Facebook, Former home of Cameo-Parkway Records (building demolished in 2015; under construction in 2016), Follow The Encyclopedia of Greater Philadelphia on Instagram, Like The Encyclopedia of Greater Philadelphia on Facebook, Philadelphia, the Place that Loves You Back, Doo-wop trailblazer and Germantown native Bobby Banks reflects on his career (WHYY, December 9, 2011), The Silhouettes: Classic Doo Wop Vocal Group of the 1950s, The Turbans on Herald Records (Internet Archive). At about the same time, Long Lonely Nights, a song the Hearts had originally recorded with Gotham Records, was beginning to get some attention. Jackson, John A. American Bandstand: Dick Clark and the Making of a Rock n Roll Empire. But that was just the beginning for this New York-based throwback act, whose hit TV series of the same name ran four seasons, and proved, in 1981, the world still needed doo-wop. : University of Massachusetts Press, 2010. [2] More cover versions followed in 1978 with "Come Back My Love" (originally recorded by US R&B group The Wrens in 1955), and "The Boy from New York City" (originally a US hit for The Ad Libs in 1965). The latter were livelier dance tunes, generally with blues-inflected harmonies and melodies. Between 1956 and 1962, The Turbans released twelve more records, including a remake of their hit When You Dance, but they never again charted nationally. Language links are at the top of the page across from the title. Following their Woodstock performance, Sha Na Na continued to gain popularity. Runowicz, John Michael. From 1977 through 1981, the group hosted its own nationally syndicated television series featuring comedy sketches, musical performances, and special guest stars. Unlike The Turbans and The Silhouettes, Lee Andrews and the Hearts managed to break the national charts more than once. VG to VG+. The Silhouettes began as a gospel quartet named the Gospel Tornadoes. Now that they were high school graduates, the five friends were forced to think seriously about their futures. Within minutes, the switchboard was flooded with calls. Written by Chet Jones, When You Dance reached number three on the R & B chart and number thirty-three on the pop chart. But oh, oh, you did me wrong. A Brief History of Doo-Wop The origins of doo-wop trace back to the 1930s and 1940s, when popular groups like the Mills Brothers simulated the sounds of reed and string instruments with their voices. So, White, Madara, and record producer Artie Singer reworked the lyrics and renamed the song At the Hop, which was recorded and released on Singers label, Singular Records, in June 1957. WebDOO WOP SONGS FROM THE 50's 60's and 70's 121 videos 11,853 views Last updated on Oct 6, 2020 Singles and Groups Play all Shuffle 1 6:35 Open Up My Heart.wmv [2] Their final hit of 1978 was "Don't Let It Fade Away" (written by Currie). WebDOO WOP SONGS FROM THE 50's 60's and 70's 121 videos 11,853 views Last updated on Oct 6, 2020 Singles and Groups Play all Shuffle 1 6:35 Open Up My Heart.wmv WebFee Bee recorded the Doo Wop groups the Del Vikings, The El Capris, The Five Playboys, Chuck Corby and The Entrees, Frankie Joe and The Embers, and the Diadems. The band reformed in 2006 for occasional appearances. Darts live at the Rainbow, London 1978: (left to right: Bob Fish; Den Hegarty; Rita Ray; Griff Fender), "Ptolemaic Terrascope interview by Mark Murden", "Tributes to musician Bob Fish of Narberth who topped the charts with Darts", "Bob Fish, singer with Darts, doo-wop and rock'n'roll revivalists who had a string of Top Ten hits in the 1970s obituary", https://en.wikipedia.org/w/index.php?title=Darts_(band)&oldid=1129246673, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 24 December 2022, at 08:41. The Best Female Vocalists Ever. One was spurred by the appearance of the group Sha Na Na at Woodstock in 1969, where, among other songs, they performed two enduring Philadelphia doo wop hits, Get a Job and At the Hop. During another revival in the 1980s, Lee Andrews revived his group Lee Andrews and the Hearts with his wife and children as band members. 13K views 3 months ago #doowop50s60s #doowop #doowopsongs. On drums was his son Ahmir (b. Prominent practitioners of the white doo-wop sound were the Elegants (Little Star [1958]), Dion and the Belmonts (I Wonder Why [1958]), and the Four Seasons (Sherry [1962]). THE COMMANDS: (Singing) It's been a long time since I've held you in my arms. The most comprehensive, authoritative reference source ever created for the Philadelphia region. Philadelphia was one of several key cities where, in the 1950s and early 1960s, singers created the small-group vocal harmony style of rhythm and blues known as doo wop. Copyright 1995-2023 eBay Inc. All Rights Reserved. While doo wop groups often performed a cappella, the recorded versions of their songs frequently featured instrumental accompaniment. This promotional photograph taken for ABC-Paramount depicts the original line-up of (from left to right) Danny Rapp (lead tenor), Dave White (tenor), Joe Terranova (baritone and bass), and Frank Maffei (tenor). A demo acappella song Then, on December 2, an act scheduled to appear on American Bandstand canceled at the last minute, prompting Dick Clark to call his friend Artie Singer for a replacement. In fact, Motowns premier male group of the 1960s and 70s, the Temptations, had a vocal sound that was based in this classic doo-wop style, with the Ink Spots tenor lead singer, Bill Kenny, and bass singer, Hoppy Jones, serving as inspiration for the Temptations lead singers, Eddie Kendricks and David Ruffin, and their bass singer, Melvin Franklin. In the 1970s, Andrews formed a soul group called Congress Alley with wife Jackie, Karen Brisco, and Richard Booker. Popular doo-wop groups include the Marcels, the Drifters, the Penguins, the Cadillacs, and the Orioles. Although Congress Alley did not achieve commercial success, several popular hip-hop artists including Dr. Dre and Jay Z have sampled their music. Among the legion of doo-wop records that suffered this fate were the Chords Sh-Boom (covered by the Crew-Cuts in 1954) and the Moonglows Sincerely (covered by the McGuire Sisters in 1955). Although there have been several personnel lineups over the years, Sha Na Na continued to tour in the early twenty-first century. During the year, the line-up changed with Currie, Fish and Dummer leaving the band. View cart for details. Duncan Kerr (guitar) and Keith Gotheridge (drums), both formerly with Plummet Airlines joined,[3] and ex-Mud guitarist Rob Davis briefly joined the band, before moving into songwriting and production work. Some groups specialized in a particular type, but many became adept at both. Show more. The line-up was completed by William "Hammy" Howell and ex-Mickey Jupp singer Bob Fish. WebDoo wop is another distinctively American style of a cappella singing whose popularity stretches from the 1950s to today. The Best Female Vocalists Ever. In 1968, the group released its first and only full-length album, which combined some new material with several earlier recordings including, of course, Get a Job. Later that year, The New Silhouettes called it quits. A number of white Philadelphia doo wop groups also found success. The structure of doo-wop music generally featured a tenor lead vocalist singing the melody of the song with a trio or quartet singing background harmony. Although The Silhouettes had some success with their fourth single, I Sold My Heart to the Junkman, the group never again charted nationally. In the 1980s, a doo-wop revival prompted a reunion of the original four members of The Silhouettes. #148 of 501. One was spurred by the 1969 appearance of the group Sha Na Na at Woodstock, where, among other songs, they performed two enduring Philadelphia doo-wop hits, Get a Job and At the Hop. The original members of Sha Na Na began singing together as college students at Columbia University. Clark predicted, however, that the gatherings known as record hops or sock hops, where teens could show off their dance moves, would remain popular for a very long time. The Greatest Musical Artists of All Time. #84 of 222. Feeling dejected, the group decided to change record labels again, signing with Mainline Records in 1957. WebWhite Doo Wop Collector. WebDoo wop is another distinctively American style of a cappella singing whose popularity stretches from the 1950s to today. 1.41K subscribers. On June 3, 2016, eleven of the original members returned to Columbia University to perform a concert as part of the class of 1971s reunion celebration. The Greatest Musical Artists of All Time. This publicity photo depicts the 1956 lineup. WebThey were one of the very few doo wop outfits to successfully update their sound, finding their strongest commercial niche in the late '60s and '70s as a polished smooth soul harmony group. But oh, oh, you did me wrong. Doo wop was a sub-genre of rhythm and blues, the broader body of African American popular music that grew out of jazz, blues, and gospel music in this period. The London-based band had a number of UK top 20 hits including three successive number twos with revivals of early DOO WOP CD * BLAST & While its heyday was over by the early 1960s, doo wop retained a small but devoted fan base and enjoyed several revivals. But oh, oh, you did me wrong. The term doo-wop is derived from the sounds made by the group as they provided harmonic background for the lead singer. Consistent with the racial segregation of much of American society in the 1950s, the practice of major record labels producing cover records usually involved doo-wop records that were originally performed by African-American artists being re-created by white artists, the objective being to sell these covers to a broader, pop (white) audience. WebDoo Wop 1970s Genre 2,568Rock 1,048Pop 820Funk / Soul 263Blues 154Stage & Screen All 2,568Rock 1,048Pop 820Funk / Soul 263Blues 154Stage & Screen 94Folk, World, & $3.30 + $3.70 shipping. "Get It" (written by Trubridge), followed in early 1979 and they also covered Gene Chandler's US 1962 hit "Duke of Earl", produced by former Wizzard frontman Roy Wood. Library Official. For the first six months, At the Hop received little attention. This recent concert photo features founding member John Jocko Marcellino singing lead and Screamin Scott Simon who joined the group in 1970 singing back up. WebDoo Wop Songs Playlist | Best Doo Wop Songs Of The 50s 60s 70s. ofGreaterPhiladelphia. He has served as consulting archivist for the Philadelphia Orchestra and the 2014 radio documentary Going Black: The Legacy of Philly Soul Radio and gave several presentations and helped produce the Historical Society of Pennsylvanias 2016 Philadelphia music series Memories & Melodies. (Author information current at time of publication.). Founded in 1976, by Den Hegarty along with Griff Fender (real name: Ian Collier), Rita Ray (real name: Lydia Sowa) and Horatio Hornblower (real name: Nigel Trubridge), all former members of the band Rocky Sharpe and the Razors (pre-Rocky Sharpe and the Replays). Its name, derived from a type of sound singers made in their vocalizations, has been disparaged by many historians of the music, who prefer to call it classic urban harmony or street-corner harmony. Although primarily African American in origin, white groups adopted the doo wop style early on and achieved popularity with it as well.

All went well. A demo acappella song (telephone) by a group named The Serenes, I think of the late 70's or early 80's. The group also signed with a new record label and management. The Greatest Musical Artists of All Time. They recorded for various small independent rhythm and blues record labels based in Philadelphia in the 1950s or, in some cases, for larger New Yorkbased labels. - eBay Money Back Guarantee - opens in a new window or tab, DOO WOP CD * FIVE BOROUGHS * VG+ TO ++ * READ, - for PayPal Credit, opens in a new window or tab, about earning points with eBay Mastercard, Report this item - opens in new window or tab. [2] They built up a large following playing clubs and universities, although their break came after they appeared on Charlie Gillett's show on BBC Radio London in October 1976. 13K views 3 months ago #doowop50s60s #doowop #doowopsongs. WebThe Best Of Do -Wop from the 50s & 60s Dan Casey 33.2K subscribers 7K 713K views 1 year ago The mid 50s 'til the mid 60s was the peak era for the doo-wop craze. No issues. Show more. Like the phenomenon of cover records, the advent of the clean-cut teen idols who prospered on American Bandstand, and the popularity of blue-eyed soul, this version of doo-wop further exemplified how black music was co-opted by the white recording industry. Most groups would call playing Woodstock and appearing in the '70s biggest musical filmGreasea successful career. "Come Back My Love", "The Boy from New York City" and "It's Raining" all reached number 2 in the UK Singles Chart. Singer promptly sent Danny and the Juniors. This influence is best exhibited in the remakes of the Ink Spots hit records My Prayer (1956) by the Platters and If I Didnt Care (1970) by the Moments. By the end of 1980, their hits had dried up and in 1983 they began to do theatre work appearing and being musical directors of the theatre production of Yakety Yak. Their personnel changed frequently and they often bounced from label to label in search of the next big hit. [2] This secured the band a recording contract with Magnet Records,[2] where they were teamed up with record producer Tommy Boyce who had previously produced The Monkees. Something went wrong. A House on Fire: The Rise and Fall of Philadelphia Soul. For the next year, they continued to perform gospel as the Gospel Tornadoes, but they also performed rock and roll as The Thunderbirds and The Silhouettes. As these groups incorporated doo wop vocal arrangements into early rock and roll, they joined the many successful local artists who made Philadelphia a national leader in youth pop music in the late 1950s and early 1960s. #84 of 222.

Although the group released a few more minor hits in the early 1960s, they would never duplicate the success they enjoyed in 1958. WebThe Best Of Do -Wop from the 50s & 60s Dan Casey 33.2K subscribers 7K 713K views 1 year ago The mid 50s 'til the mid 60s was the peak era for the doo-wop craze. Omissions? They recorded for various small independent rhythm and blues record labels based in Philadelphia in the 1950s or, in some cases, for larger New Yorkbased labels. WebDarts are a nine-piece British doo-wop revival band that achieved chart success in the late 1970s and early 1980s. The group formed in 1953 and signed with Herald Records in New York two years later.

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Follow The Encyclopedia of Greater Philadelphia on Instagram Doo Wop 2 CD Lot, Various Artists. WebDarts are a nine-piece British doo-wop revival band that achieved chart success in the late 1970s and early 1980s.

A Brief History of Doo-Wop The origins of doo-wop trace back to the 1930s and 1940s, when popular groups like the Mills Brothers simulated the sounds of reed and string instruments with their voices. WebDOO WOP SONGS FROM THE 50's 60's and 70's 121 videos 11,853 views Last updated on Oct 6, 2020 Singles and Groups Play all Shuffle 1 6:35 Open Up My Heart.wmv [2], The band remains in the Top 500 selling list according to the Guinness Book of British Hit Singles.[1]. [1] THE COMMANDS: (Singing) It's been a long time since I've held you in my arms. They recorded for various small independent rhythm and blues record labels based in Philadelphia in the 1950s or, in some cases, for larger New Yorkbased labels. [2] In 1985, Fender and Ray managed and produced the UK a cappella female group The Mint Juleps who scored two minor UK chart entries with "Only Love Can Break Your Heart" (originally by Neil Young) in 1986 and "Every Kinda People" (originally by Robert Palmer) in 1987.

The absence of strings and horns (sweetening) in their production gave many of the doo-wop records of the early 1950s an almost haunting sparseness. New York: Oxford University Press, 2004. But that was just the beginning for this New York-based throwback act, whose hit TV series of the same name ran four seasons, and proved, in 1981, the world still needed doo-wop.

They often rehearsed in hallways and high school bathrooms and under bridges; when they were ready for public performance, they sang on stoops and street corners, in community centre talent shows, and in the hallways of the Brill Building. Later in that decade, Banks and Earl Worsham (who had replaced Charlie Williams in 1958) began planning another Turbans comeback, but Banks untimely death in 1977 dashed those plans. A demo acappella song Throughout this period, the group split up and reunited several times, often with a new record label and a new lineup. WebFind many great new & used options and get the best deals for DOO WOP CD * FIVE BOROUGHS * VG+ TO ++ * READ at the best online prices at eBay! Sound of the City: The Rise of Rock and Roll. 1.41K subscribers. #130 of 1,902. #130 of 1,902. [2] This was their last UK top 10 hit, their only other sizeable hit coming in 1980 with a cover of The Four Seasons "Let's Hang On!".
DOO WOP CD * FROM DOLPHINS OF HOLLYWOOD * VG+ TO ++ * READ. Several streams of African American music fed into the creation of doo wop, which began to emerge as a distinct style in urban neighborhoods of the United States in the late 1940s: the smooth singing style of popular Black vocal groups of the 1930s and 1940s such as the Mills Brothers and Ink Spots, a cappella gospel groups and barbershop quartets, and jazz and blues vocalists. The Del Vikings WebFind many great new & used options and get the best deals for DOO WOP CD * FIVE BOROUGHS * VG+ TO ++ * READ at the best online prices at eBay! A demo acappella song (telephone) by a group named The Serenes, I think of the late 70's or early 80's. #130 of 1,902. The Sound of Philadelphia. In 1957, Madara and founding member Dave White wrote the groups first hit, which was originally titled Do the Bop. It was American Bandstand host Dick Clark who suggested the group change the title and lyrics of the song. Philadelphia: Running Press, 2011. But that was just the beginning for this New York-based throwback act, whose hit TV series of the same name ran four seasons, and proved, in 1981, the world still needed doo-wop. Covering 1950s rock and roll hits, they scored their first UK hit in November 1977 with a medley of "Daddy Cool" (originally the b side of the single 'Silhouettes', a US 1955 hit for The Rays) and Little Richard's 1957 hit "The Girl Can't Help It". WebIn Philadelphia, early doo wop groups included the Castelles, Capris, Silhouettes, Turbans, and Lee Andrews (real name Arthur Lee Andrew Thompson, 19362016) and the Hearts. The Ink Spots established the preeminence of the tenor and bass singer as members of the pop vocal ensemble, and their influence can be heard in rhythm-and-blues music beginning in the 1940s (in records by the Ravens), throughout the 50s, and well into the 70s. 1971), later known as Questlove, leader of the well-known Philadelphia band The Roots. WebFind many great new & used options and get the best deals for DOO WOP CD * FIVE BOROUGHS * VG+ TO ++ * READ at the best online prices at eBay! $3.30 + $3.70 shipping.

DOO WOP CD * BLAST & Members: Carlo Mastrangelo - lead - replaced by Frank Lyndon (1962) repaced by Warren Gradus (1972) replaced by Freddie Cannon (1976) Angel D'Aleo - first tenor Fred Milano - Doo Wop 2 CD Lot, Various Artists. However, the first three singles the Hearts released were flops and by 1955, Williams decided Rainbow Records was not the right label for the group. Library Official. WebThe Cardinals The Casinos Jimmy Castor Gene Chandler The Channels The Chantels The Charms The Charts The Checkers The Chevrons The Chiffons The Chimes The Chips The Chordettes The Chords (US band) The Classics The Cleftones The Clovers The Collegians The Contours The Corsairs The Counts Don Covay and the Goodtimers The Crests The

The Del Vikings Members: Carlo Mastrangelo - lead - replaced by Frank Lyndon (1962) repaced by Warren Gradus (1972) replaced by Freddie Cannon (1976) Angel D'Aleo - first tenor Fred Milano - Best known for their ballads, the group formed in the early 1950s when five teenage friends Arthur Lee Andrews Thompson, Roy Calhoun (first tenor), Thomas "Butch" Curry (second tenor), James "Jimmy" McCalister (baritone), and John Young (bass)began singing together after school and on the weekends as The Dreamers. Doo-wop groups tended to rehearse in locations that provided echoeswhere their harmonies could best be heard. Street Corner Symphonies: The Complete Story of Doo Wop.

VG to VG+. In addition to numerous television appearances, the group toured with some of the eras biggest stars including former Drifter Clyde McPhatter, Jackie Wilson, and Sam Cooke.